The group, comprised of 11 artists, has made history, becoming the first Northern Irish winner of the prize.
The Turner Prize, named after the radical British painter JMW Turner, is one of the world’s best-known prizes for the visual arts, celebrating artistic talent in UK.
Members of the collective have been working together “more actively” since 2016 and “create collaborative actions in response to sociopolitical issues” affecting the region.
Their success was announced at a ceremony in Coventry Cathedral, in England, where they were presented with the €25,000 prize money.
The jury awarded the top prize to Array Collective for “their hopeful and dynamic artwork which addresses urgent social and political issues affecting Northern Ireland with humour, seriousness and beauty”.
The group impressed the jury with their ability to “translate their activism and values into the gallery environment, creating a welcoming, immersive and surprising exhibition”, a statement said.
The sibin, a “pub without permission”, is an immersive installation with a large canopy styled from banners which provide a floating roof and a circle of flag poles that reference ancient Irish ceremonial sites.
The winning artwork was designed as a place to gather outside the sectarian which has dominated the collective memory of Northern Ireland for the last 100 years.
Holding a baby on the stage, Array Collective member Laura O’Connor said: “It’s surreal. We have not been making work over the last year with lockdown, it has motivated and pushed us. I think we surprised ourselves with what we came out with in the end and we are so proud of it.”
The group added that they were going to celebrate with “a few pints” after winning the prestigious prize.
The five-strong shortlist this year was made up of entirely of artist collectives for the first time in the history of the award, with no single person chosen.
The four other nominees – Black Obsidian Sound System (BOSS), Cooking Sections, Gentle/Radical and Project Art Works – were all awarded €10,000.
The exhibition had really successfully translated the spirit of what they do… this amazing sibin you know, illegal pub, Northern-Irish style in the middle of a gallery
Alex Farquharson, director of Tate Britain and chairman of the Turner Prize jury, told the PA news agency: “Of course, it was a hard one, the decision.
“But what the jurists were drawn to, I think, was both a combination of the seriousness of the issues they’re dealing with, in a very divided world, but the joy, the hope, the fun, the surprise… with which they do their political work as artworks.
“I think the feeling was that the exhibition had really successfully translated the spirit of what they do, how they go about it, this amazing sibin you know, illegal pub, Northern-Irish style in the middle of a gallery with these amazing videos of performances that were quite mesmerising…
“While underneath it all a rea